"My work explores the connection between the artist and the model, the energy exchanged between the two. It's about emotional response, tactile, visceral, abstract, created with a limited color palette, leaving the brush strokes and drips raw and unrefined. It's as much a conversation as a picture, a snapshot of emotion, a thread running between the observer and the observed. Connective Tissue."

Color and Shape Experiments


06.10.09 Posted in Experiments, News, Seeds by Daniel

Experiment No.1  Acrylic on Wood  24”  x  24”

When I was teach­ing at Pacific North­west Col­lege of Art (PNCA), Rebecca Woods and I lead a series of work­shops called Raw Vis­cer­alia. These work­shops fea­tured a theme, i.e. touch print­ing, dual­ity, etc. and occa­sion­ally a guest speaker. One of these was my friend Alan Clark, a tal­ented painter from Eugene, Oregon.

Alan shared his paint­ing tech­nique with us, it’s a method that takes some prac­tice but yields some fas­ci­nat­ing results.

These are my exper­i­ments, aug­mented with col­ored pen­cil and oils. Most are in progress, I plan to update them as they are fin­ished. I’m call­ing the series Seeds.



One Response to “Color and Shape Experiments”

  1. […] series grew out of the bal­loon exper­i­ments. I’d lost my funny ani­mal bal­loons and found myself with only the round and pear shapes. […]

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