I’d been working with the Connective Tissue idea for a year or so when I had a dream of playing a game of chess. I decided to try taping off an old painting in a grid, then creating a new one on top, removing the tape after the paint had dried. I found something interesting, a separation of the viewer from the original, a wall. The grid broke the picture plane and disturbed the space.
[…] is a triptych portrait series that I started in 2008. It uses the gridding system from Dysphagia over repeating sections of a model. I’m also experimenting with unwrapping the form and multiple […]
[…] the Dysphagia Series. ShareSHARETHIS.addEntry({ title: “Dysphagia No.51″, url: […]
[…] second layer of a Dysphagia painting, this portrait of Julie longer exists in this form. I sold the painting before […]
[…] use a lot of tape when I’m working on my Dyspagia Series. I’ve been saving these tapes for quite some time and have finally used them in […]
[…] I mentioned in an earlier post, I’ve been saving the tapes from my Dysphagia Series, the ones that I use to paint one work on top of another. I’ve assembled them into this […]
[…] is a Dysphagia type construction with a sandwiched balloon experiment as it’s base. It doesn’t fit into the rest of the […]
[…] of the featured works and a thanks to Kate O’Brien Clarke, the model for a majority of the Dysphagia Series. [View with PicLens] […]